BYGONE INDUSTRIES OF THE PEAK: PORCELAIN AND POTWORKS
This is one of a series of articles published in
The Peak Advertiser, the Peak District's local free newspaper, on 15th July 1996 (p1 & p3), and
reproduced by kind permission of its author, Julie Bunting.
The series is now available as a fully-illustrated paperback, published in 2006
by
Wildtrack Publishing of Sheffield (ISBN 1-904098-01-0) See also this
Review by Alan Jacques.
BYGONE INDUSTRIES OF THE PEAK: PORCELAIN AND POTWORKS
Any item made from baked clay is a form of pottery, whether as heavy as
paving stones or as delicate and fragile as fine crockery. The potter's
art has been practised by nearly every race since before the dawn of
history, in nearly every corner of the world. It was vital to the
advance of civilisation yet depended on only two simple basics - ample
supplies of clay and fuel for firing.
The Chinese claim that pottery making was discovered around 2,700 BC by
Emperor Hwang Tsi, who taught it to his people. This precious gift
earned him a place amongst the Gods. According to Greek myth the world's
first potter was Keramos (hence our word ceramic), son of the God
Dionysus and Ariadne, daughter of King Minos of Crete.
Prehistoric production was known across Europe. Ancient vessels of
burnt clay have been found in many sites in the Peak District, being
particularly associated with burials of the Bronze Age 'Beaker Folk' on
Stanton Moor. Coarser types of pottery are generally described as
earthenware, as opposed to the fine, translucent porcelain.
Many kinds of clay can be used for earthenware, burning reddish or
brownish in colour and always opaque. Clays have to be cleaned and
purified before being shaped into vessels either by 'throwing' on a
wheel or by moulding. After being baked, or fired, in a kiln the vessel
might require glazing to stop porosity. The glazing on Roman pots found
in kilns at Derby racecourse has found to contain lead, probably mined
in the Peak.
Commercial production of English pottery really got under way after the
secret of manufacturing salt-glaze stoneware was discovered in 1671 by
John Dwight of Fulham, who held patent rights until 1698. The raw
material was a very siliceous clay, fired at extremely high
temperatures. The glaze was produced by throwing common salt into the
kiln during firing. With the expiry of Dwight's patent, numerous
salt-glaze potworks sprang into business and the Peak was well served by
several on its outskirts, including one at Crich. This was established
by brothers John and George Dodd, later joined by another brother,
Richard, a mug maker. All three became Burgesses of the City of
Nottingham.
Other manufacturers set up at Chesterfield, Alfreton, Belper and Derby.
Brown stoneware was common to them all, used for a vast array of
everyday kitchen ware such as cooking pots and storage jars, teapots,
jugs, water filters and jelly moulds.
AS THIN AS PAPER
Porcelain, on the other hand, was too expensive to be found in ordinary
homes. The secret of its raw material - kaolin, a fine white clay - was
not even discovered in Europe until 1701, whereas the Chinese had been
making porcelain for well over a thousand years. In the 10th century,
one of their emperors had demanded the teacups 'as blue as the sky, as
clear as a mirror, as thin as paper, as resonant as a musical bell'. The
Chinese guarded the secret of the translucency of porcelain very
jealously. By 1100, some of their exquisite work had been brought back
to Europe by Crusaders and it was worth more than its weight in gold.
All three became Burgesses of the City of
The first true European porcelain was made in Germany in the early 18th
century. Around 1755, 'china clay' was found in Cornwall and very soon
porcelain was being produced at Plymouth and further afield.
Suitable clays were eagerly sought and although the geology of the Peak
made the region an unlikely source, the following reference was noted in
A View of the present state of Derbyshire (Pilkington, 1798):
'porcelain clay of a most delicate white colour and a very fine texture
(is got) from a lead mine at Brassington ... what is gotten at present
is sent to the potteries in Staffordshire. Also At Newhaven a very fine
potters-clay may be had'.
It has been suggested that the Brassington source prompted the
establishment of a china works operated in Wirksworth from about 1772
until 1777. In recent years, researchers have pieced together the
history of this lone example of china manufacture in the Peak. It came
into being through the partnership of Sir Thomas Burdett of Foremark,
the Hurts of Alderwasley, Mr. Julius Caesar Robiglio and the Gells of
the Gatehouse and Hopton. Philip Gell was the owner of Holland Manor
House in Wirksworth, in the grounds of which the new venture began in
1772.
Surviving documents of the next few years indicate the variety of wares
manufactured on the site: bowls, cream jugs, teapots, sauce-boats,
perfume jars, egg jars, plates, cups and saucers, pepper boxes and
mustard pots. Ornamental items are sometimes referred to, as in an
invoice from J.C. Stephan, dated 18 August 1773:'
| 'to Modelling - a flower Pott |
| |
| 1.17.6 |
| Ditto - a Sfinks jar | 3.3.0 |
| Ditto - a Beaker | 1.11.6 |
| Ditto - two Dogs | 0.11.6 |
Other invoices contain detail such as pedestals ornamented with rams
heads and flower jars ornamented with heads and horns, or with women's
faces, while some payments relate to hand-painted decoration.
The father of John Charles Stephan was Pierre Stephan, well-known for
figures which he modelled at Derby. In May 1774, Stephan senior, writing
to Josiah Wedgewood, mentioned having been earlier engaged with the
Wirksworth china factory but now would 'be glad have an Opportunity of
being Employ 'd by persons of taste and merrits which I hear is the
Character of your Manufactory ...'
Wedgewood himself made an interesting entry in his Common Place Book in
1775: 'A China work - lately begun at Wirksworth - by Mr. Gell of
Hopton, who has lately made some use of a fine white Clay, found near
Brassington in Derbyshire, first in an estate of Mr. Haynes of Ashburn,
and afterwards in other adjoining lands ... It is found in low lands, &
black soil - about 12 yards and at other depths, - in small lumps,
amongst inferior clays & other earths, - and so uncertain, & in such
small quantities, as to be worth £10 per ton raising'.
If the Wirksworth factory depended on these sparse supplies, it is not
surprising that production was short-lived. In May 1777, the following
advertisement appeared in the Derby Mercury: 'To be sold ... On
Wednesday the 18th day of this present month of May A great number of
elegant Plaister Moulds for Tureens, Plates, Dishes, Sauce boats in
Sets, Tea Services and Equipages with all other sorts requisite for a
Manufactory or Pot Work. A few very fine large Figures, Vases Urns Lamps
exquisitely moulded; Throwing Wheels, lathes and all other instruments
necessary. A quantity of Zaffer, Borax Red Lead, Lynn Sand Whiting Umber
& Salts with some fine fritt ready made. Enquire of Mrs. Dickins, the
Three Crowns, Wirksworth where a person will attend to these, the above
article & treat for the same'.
Six months after the dispersal sale, the buildings, warehouses and
workshops 'heretofore used for the making and manufacture of China ware'
were leased to Richard Arkwright of Cromford.
The site, off St. Mary's Gate, is still known by the name of China Yard.
Although pieces of 'Wirksworth china' have been handed down in local
families, the absence of a manufacturer's mark has made it almost
impossible to attribute them with certainty. Therefore our knowledge of
styles and patterns is elusive. Some fragments found on the site have
been lost but a small number were presented to the Victoria and Albert
Museum in 1938. Wirksworth Heritage Centre is fortunate in having a cup
and saucer, in addition to a hand-written bill, in its display relating
to the china factory.
© Julie Bunting
From "The Peak Advertiser", 15th July 1996.
© Copyright Julie Bunting, GENUKI and Contributors 1995-2008, &c.
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[Created 19 Jun 2003. Last updated 10 Mar 2009 - 10:37 by Rosemary Lockie]